Set to slot into the MG line-up beneath the existing GS, the styling of the upcoming Nissan Juke rival differs quite dramatically from its larger sibling, receiving a much bolder looking front end featuring the Anglo-Chinese car maker’s new Jaguar-like grille, headlamps that extend into the grille frame and a heavily structured front bumper. MG’s upcoming small SUV has been revealed with two design renders ahead of its planned public debut at the Guangzhou motor show on 18 November. MG’s upcoming small SUV has been revealed in design renders it’ll share at least one engine with the larger GS and will also introduce new units to the range or oh yeah or lessons in love.Categories: Uncategorised | Tags: Post Formats I can play anything ever on youtube but i don't want that i want radio to recover that middle ground, like what if i'd been the one or the freaks come out at night or alphabet street or running with the night or it's a sin. why does this slay me so hard and make me so lachrymose? at the time i thought it were a middling song but now as oblivion approaches it's the middling that hits the hardest. I got so emotional when i watched that killers video of their electric blue cover, because everything happens so much, and that's what i'm talkin' about. i don't think i've ever heard them play things can only get better, or all cried out. never existed, says my local 80s station. i know every outfield song is essentially the same song but how is that any more redundant than playing the literal same song over and over? i can't fucking hang out in kroger or meiijer all day hoping to hear don't talk to strangers or change by john waite or show me by the cover girls. stop with the your love and play all the love in the world or say it isn't so or since you've been gone or everytime you cry. i can't believe i forgot that song exists. So you get a song that is already kind of hip and at best will only be semi-popular chart-wise rubbing shoulders with the latest dispatches from Adele, Taylor, or Meghan Trainor in every grocery/drug/clothing store.Įrstwhile (billy bob fargo ref), is there any chance radio will take the hint from the hipster-curated-in-store-playlist algorithm or paradigm or whatnot or are the economics too much to oppose? my local 80s station will play i want to know what love is or waiting for a girl like every other hour but never that was yesterday or midnight blue or heart turns to stone, which is awesome beyond belief. His song gets played in stores, getting exposed to way more ears than any terrestrial radio could (since alot of these services can guarantee one spin being heard coast-to-coast in thousands of Krogers), and hopefully a % of those hearing said song will Shazam it with a purchase or stream following. I imagine his label, knowing that there is no place for him on commercial radio, instead turns promotion towards Muzak and related services. one that sticks out was a single by JD McPherson, a neo-Rockabilly guy who's on Rounder, which was getting a lot of play in drug and grocery stores. Occasionally they'll ask me about some song they hear in those stores. This jobs takes then into multiple stores daily, incliding CVS, Walgreens etc. BACKGROUND: Both my Mom and my sister are merchandisers for a magazine & other goods company that services most of the major chains in America. AFAICT the people who make professional licensed karaoke CDs are similarly wont to include anything that was ever a 'hit.' A shame there is no way to measure the actual performance rate of these things - I have a strong suspicion nobody has ever once actively chosen to sing Van Halen's "Feels So Good" or Swing Out Sister's "La La," but there they are in the listings.Ī third version of this kind of works as a fusion of the first two. Version two is sorta more interesting in that it gives the uncanny sense that you are dealing with a live human DJ pulling out unjustly overlooked faves, even though everything they play can still be found in a reasonably well-stocked karaoke binder. The other is where an algorithm meant to capture popular, well-liked music omnivorously consumes anything that's ever charted or been semi-popular or was released as a single by a top-40 act. One is where retail playlist designers design or lease some algorithm meant to add "hippitude" (I'm guessing) - hence the Can and Television and Buzzcocks and so on. IMHO that counts! Although it crystallizes something about this thread to me, which is that there's at least two versions of this.
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